Back to Writing

Other things have been going on, in digital, art and politics, so haven't had much to write about writing. This will be short, but to point out a few goings on.

The ever-excellent night "The Other Room" returns on Wednesday at the Old Abbey Inn. It also showcases the launch of the bumper "final issue" of if P then q . Related to the same event, is the launch of the occasional editions from the intriguely named zimZalla.

One of the more interesting literary blogs is Everyday Genius, which has a monthly guest editor inviting their writing cohort to supply daily doses of "everyday genius." This month its "Everyday" author, and Scarecrow editor Lee Rourke. First three contributions are by Pete Wild, Steve Finbow and Stuart Evers. A little piece by me will also be along in a few days, all being well.

Now its October, the forthcoming launch of "Mostly Truthful", the new online Flax publication at Lancaster Literature festival gets ever closer, and it will be great to return to the Storey Institute, this time as a reader, rather than in the audience. Tickets are free.

Tomorrow night is Booker Prize night, and "Wolf Hall" by Hilary Mantel seems a "shoe in" but of course, the Booker doesn't do shoe-ins. It wouldn't surprise me if one of the lesser known writers on the list, Adam Foulds or Simon Mawer, came in as a surprise winner. Unlike "Sea the Stars", the remarkable horse that has just added the Arc to its Derby and 2000 Guineas, the thoroughbreds of the Booker don't always come first.

It's Bookertime!

I've written in the past about how the Booker Prize, despite having different judges each year, does seem to have "phases" - at least in retrospect. Over the last three or four years there's been a definite sense that it is reverting to a middle-brown unsensationalism, perhaps the better for it. As a grand dame of literary prizes it can probably afford a step back from the 80s/90s frontline it sometimes seemed standing on the edge of. Also, as publishing appears ever more conservative, and exciting new names haven't really come zinging out of the traps, the sense of "entitlement" that used to grip the prize, particularly when some name was either included or excluded, is no more. So this year, its business as usual, a longlist of 13 books (a manageable number.) As ever, the books are rarely in the shops, never mind the public consciousness at the time of the longlist launch. Historical fiction is an ever-popular Booker trope and dominates again this year; though the lack of Indian writers this year may just be one of those things. (At Norwich recently Xu Xi had noted how Asian winners of the Booker tended to be first time or early career novelists.)

James Lever's appearance on the list for his faux biography "Me Cheeta" seems a little cheeky one way or another, yes, of course its fiction, but a fiction presented as celeb-biog. It kind of undermines the project to file it under literary fiction rather than biography... Perhaps the most interesting name on the list, outside of the Mantels, Toibins, Coetzees, Byatts was James Scudamore. I recognised the name, and was trying to remember where from. Then I remembered. On leaving Norwich after the Worlds festival I caught the train to London with writer Robin Hemley and he was seeing Scudamore whilst in London and had told me what a good novelist he was. I promised to keep an eye out. Well, promise kept. It seems Scudamore, with his Sao Paulo set second novel "Heliopolis," might be an intriguing dark horse.